Culture
Greek culture evolved over thousands of years, with its beginnings in the Mycenean and Minoan Civilisations, continuing into Classical Greece, the birth of the Hellenistic era and through the influence of the Roman Empire and its Greek Eastern successor the Byzantine Empire. The Ottoman Empire also had a significant influence on Greek culture, but the Greek war of independence is credited with revitalizing Greece and giving birth to a single entity of its multi-faceted culture throughout the ages.
Greece is often known as the cradle of Western civilisation.
Attitudes
Greek people in general feel a strong link with their past, emphasising the Classical period of Greek history, its links via the Hellenistic world to Byzantium, and on to the present. Both Classical and Byzantine Greece represent for the majority of Greeks antecedents of the modern day Hellenic Republic. For a time in the late nineteenth and early twentieth century the former boundaries of the Byzantine Empire, or more specifically those which until this period had still retained their Greek populations, came for some to represent an ideal extent of the modern state. The cultural and linguistic continuity of the Greek people, however complicated it may have been through history by outside influences, such as Christianity upon latter antiquity, or pressure from without in the final stages of the Byzantine Empire, are things that are strongly emphasised by today's Greeks - being as they are, one of the most patriotic nations in Europe, according to Eurostat.
Following the Revolution of 1821, Greece went through a period of artistic and cultural revival. Greeks today tend to regard the years before the Revolution, those of occupation of Greece by the Ottoman Empire, as the 'years of darkness', in which cultural development was perceived to have halted completely. Despite evidence to the contrary (particularly in regard of Cretan literature), Greece's revival following the formation of the first Hellenic Republic in 1831 is regarded by a huge majority of Greeks as the 'rebirth' of their nation.
Experience of occupation, both in the Ottoman and modern era, has left an indelible mark on the Greek psyche. In the twentieth century, the trauma of the Greek Civil War during which time the nation became the first theatre of the Cold War immediately following World War II, which itself brought a Nazi occupation of enormous privations, and the perceived interference of the U.S. in creating the Regime of the Colonels, which brutally Governed Greece from 1967 to 1974, led cumulatively to the emergence of an 'Ethnos Anadelfon' (or 'Brotherless Nation') idea, emphasizing the only people Greeks could count on were themselves and their countrymen. However, from the mid-1970s onward, in parallel with Spain and Portugal, and above all following the entry of Greece into the European Union in 1981, Greece's orientation, and the aspirations of its majority, became focused around the European mainstream.
Greeks remain on the whole an extrovert and friendly people, known for their hospitality and somewhat relaxed approach to the demands and pressures of daily life, by turns common to all Southern European nations and their peoples, and in an earlier era captured by Nikos Kazantzakis' novel Zorba the Greek. Some in Greece regard this 'live and let live' approach, however, as more clearly conveyed in economic terms as a moderate work ethic; others prefer to reaffirm their position by highlighting the near sub-tropical climate of much of Greece compared to much of Northern Europe and thus the necessity for the famous afternoon 'siesta'.
The Arts
The art and architecture of Ancient Greece have greatly influenced Western art through to the present day. Byzantine art and architecture also played an important role in early Christianity, and remain a significant influence in the Orthodox Christian nations of Eastern Europe and Eurasia. Yet, due to the ravages of history, only a minor assortment of ancient Greek art has survived - most frequently in the form of sculpture and architecture and minor arts, including coin design, pottery and gem engraving. Greece also has a rich history of contemporary art from the revolution onwards.
Architecture
Remains of ancient Greek architecture still survive or are well documented today alongside more modern examples.
The ancient Greeks developed two primary styles (or "Classical orders"); the restrained and solid Doric and the refined and decorated Ionic. It should be noted that the Ionic style eventually evolved into the more ornate Corinthian style.
The form of ancient Greek temples, a rectangular shape, surrounded by colonnades surmounted by a triangular pediment, built from limestone or marble, remains a popular style to date. While the arch was familiar to the Trojans, it was not widely used, in contrast to later Roman buildings. Surviving examples of ancient Greek architecture include the Parthenon and the Erechtheum in Athens, and Roman structures based on the Greek model, such as the Pantheon in Rome, which is attributed to the Greek Architect, Apollodoros of Damascus.
Byzantine Architecture was a built form common throughout Greece from the rise of Christianity under Constantine to the fall of the Greek empire of Byzantium in 1453 to the Ottoman Turks. It emphasised a Grecian cross layout, the Byzantine capitol style of column (a mixture of Ionic and Corinthian capitols) and a central dome surrounded by several smaller domes. Greece also experienced something of a Neo-Byzantine revival following the Greek Revolution, and quite unsurprisingly, also experienced a growth in Neo-Classical Architecture in the years following the Revolution; this came into a contact and interaction with traditional Byzantine villa architecture to produce a form specific to modern Greece
Modern Greek architecture has followed the international architecture trends. Like other modern capitals, Athens also has its fair share of Neo-classic, Modernist and Postmodernist architecture. Important Greek and international architects have designed many buildings of Athens such as Dimitris Pikionis, Stamatis Kleanthis, Ernst Ziller, Patroklos Karantinos, Walter Gropius and Mario Botta. Several new buildings were also constructed by Santiago Calatrava for the Athens Olympics of 2004 while Bernard Tschumi has designed the New Acropolis Museum.
Art
In contrast to other illustrated forms, surviving ancient Greek paintings are very rare. Greek painters worked mainly on wooden panels, and the finest works were admired for hundreds of years after their creation. However, these paintings rapidly disappeared after the 4th century AD when they were no longer adequately protected. In addition to sub-standard Roman copies, for example in Pompeii, rare surviving examples have been found in the tombs of the kings of Macedon at Vergina, at Lefcadia also in ancient Macedon, as well as Kazanlak in ancient Thrace.
Surviving examples of the ancient Greek sculpture are more common, particularly the works of the Greek master sculptors, such as Phidias and Praxiteles. These artists and their followers were frequently emulated by the Romans. However, the Christians of the 4th and 5th centuries viewed the destruction of pagan idols as an act of piety. Many ancient marble sculptures were burned to form lime in the Middle Ages, and most bronze statues were melted down for their metal. The marble statues that escaped destruction were spared as they were either buried and forgotten, or in the case of bronzes, lost at sea.
In the Byzantine period, religious art was the dominant theme, with highly-decorated mosaics and icons adorning religious buildings. The Renaissance artist, El Greco (Domenikos Theotocopoulos), responded to Byzantine and 16th century Mannerist art, producing sculpture and paintings with a liberated form, light and colour that inspired 20th century artists such as Pablo Picasso and Jackson Pollock.
Moreover, an important and often pioneering role was played by artists from Ionian islands in the 18th and the beginning of the 19th century, who exploited developments of the Italian Renaissance and baroque ateliers. As efforts persisted with new directions and objectives, Greek artists emerging in the world during the first decades of the 19th century reconnected Greek art with its ancient tradition, as well as with the quests of the European ateliers, especially those of the Munich School, with defining examples of the Greek contemporary art of the period including the work of Theodoros Vryzakis and Nikiphoros Lytras. The British-Greek Marie Spartali became the pre-eminent female artist of the Pre-Raphaelite era.
Greece has continued an ancient sculptural tradition well into the Modernist and Post-Modernist eras, with contributors including philosopher Costas Axelos and the more famous Constantine Andreou, recipient of the French Legion of Honor.
Cinema
Cinema first appeared in Greece in 1897 but the first actual theatre was built later in 1907. The first production began in 1914 as the Asty Film company was founded and the production of long films begun. Golfo, a well known traditional love story, is the first Greek long movie, although there were several minor productions such as newscasts before this point.
Greek cinema has had a varied history, going from points of relative stagnation to some very memorable productions. The 1920s to the end of the 1940s were host to some relatively notable films, such Applause (1944, directed by G. Tzavelas), and most notably in 1944, Katina Paxinou was honoured with the Best Supporting Actress Academy Award for "For Whom the Bell Tolls".
The Golden age of Greek cinema is universally considered to be the 1950s - in which production rose to a height of 60 films a year, and in which productions such as Stella, directed by one of Greece's most famous directors Michael Cacoyannis, shot to prominence internationally as well in Greece and Cyprus. Notable actors and directors from this period include Alekos Sakelarios, Nikos Tsiforos, Ellie Lambeti, Dinos Iliopoulos and Irene Papas. Cacoyannis in particular continued this tradition well into the 1960s with his production of Alexis Zorbas, becoming a winner of 3 Academy awards.
Most recently, films such as Politiki kouzina (A Touch of Spice) and the sex taboo comedy 'Safe Sex' have signalled an upward trend in the quality of Greek cinema; this can be largely correlated to an unmatched period of economic prosperity in Greece, which has led to an increased cultural output across all parts of the Arts, both physical and visual.
Dance
Greece has a continuous history of native dances reaching from antiquity till the modern era. It began in the Minoan period.
Classical Greece
Ancient Greeks believed that dancing was invented by the gods and therefore associated it with religious ceremony. They believed that the gods offered this gift to select mortals only, who in turn taught dancing to their fellow-men.
Periodic evidence in ancient texts indicates that dance was held in high regard, in particular for its educational qualities. Dance, along with writing, music and physical exercise, was fundamental to the education system and many classical authors extol its virtues as means of cultivating physical and spiritual wellbeing.
Byzantine Greece
Though we have only a few precise descriptions of Byzantine dances, it is known they were often "intertwined". The leader of the dance was called the koryphaios or chorolektes, and it was he who began the song and ensured that the circle was maintained. Efstathios of Thessaloniki mentions a dance which commenced in a circle and ended with the dancers facing one another. When not dancing in a circle the dancers held their hands high or waved them to left and right. They held cymbals (very like the zilia of today) or a kerchief in their hands, and their movements were emphasized by their long sleeves. As they danced, they sang, either set songs or extemporized ones, sometimes in unison, sometimes in refrain, repeating the verse sung by the lead dancer. The onlookers joined in, clapping the rhythm or singing. Professional singers, often the musicians themselves, composed lyrics to suit the occasion.
Byzantine instruments included the guitar, single, double or multiple flute, sistrum, timpani (drum), psaltirio, Sirigs, lyre, cymbals, keras and kanonaki.
Popular dances of this period included the Syrtos, Geranos, Mantilia , Saximos, Pyrichios, and Kordakas . Some of these dances have their origins in the ancient period and are still enacted in some form today.
Modern Greece
Greece is one of the few places in Europe where the day-to-day role of folk dance is sustained. Rather than functioning as a museum piece preserved only for performances and special events, it is a vivid expression of everyday life. Occasions for dance are usually weddings, family celebrations, and paneyeria (Patron Saints' name days). Dance has its place in ceremonial customs that are still preserved in Greek villages, such as dancing the bride during a wedding and dancing the trousseau of the bride during the wedding preparations. The carnival and Easter offer more opportunities for family gatherings and dancing. Greek taverns providing live entertainment often include folk dances in their program.
Regional characteristics have developed over the years because of variances in climatic conditions, land morphology, and people's social lives. In later years, wars, international pacts and consequent movement of populations, and even movements of civil servants around the country, intermingled traditions. People learned new dances, adapted them to their environment, and included them in their feasts. Kalamatianos and Tsamikos are considered panhellenic dances and are danced all over the world in diaspora communities. Others have also crossed boundaries and are known beyond the regions where they originated; these include theKaragouna from Thessaly, the Pentozalis from Crete, the Zonaradikos from Thrace, the Tik from Pontos, and the Balos from the Aegean Islands.
The avant-garde choreographer, director and dancer Dimitris Papaioannou was responsible for the critically successful Opening Ceremony of the 2004 Olympic Games, with a conception that reflected the classical influences on modern and experimental Greek dance forms.
Literature
Greece has a remarkably rich and resilient literary tradition, extending over 2,800 years and through several eras. The Classical era is that most commonly associated with Greek Literature, beginning in 800 BC and maintaining its influence through to the beginnings of Byzantine period, whereafter the influence of Christianity began to spawn a new development of the Greek written word. The many elements of a millennia-old tradition are reflected in Modern Greek literature, including the works of the Nobel laureates Odysseus Elytis and George Seferis.
Classical Greece
The first recorded works in the western literary tradition are the epic poems of Homer and Hesiod. Early Greek lyric poetry, as represented by poets such as Sappho and Pindar, was responsible for defining the lyric genre as it is understood today in western literature. Aesop wrote his Fables in the 6th century BC. These innovations were to have a profound influence not only on Roman poets, most notably Virgil in his epic poem on the founding of Rome, the Aeneid, but one that flourished throughout Europe.
Classical Greece is also judged the birthplace of theatre. Aeschylus introduced the ideas of dialogue and interacting characters to playwriting and in doing so, he effectively invented "drama": his Oresteia trilogy of plays is judged his crowning achievement. Other refiners of playwriting were Sophocles and Euripides. Aristophanes, a comic playwright, defined and shaped the idea of comedy as a theatrical form.
Herodotus and Thucydides are often attributed with developing the modern study of history into a field worthy of philosophical, literary and scientific pursuit. Polybius first introduced into study the concept of military history.
Philosophy entered literature in the dialogues of Plato, while his pupil Aristotle, in his work the Poetics, formulated the first set criteria for literary criticism. Both these literary figures, in the context of the broader contributions of Greek philosophy in the Classical and Hellenistic eras, were to give rise to idea of Political Science, the study of political evolution and the critique of governmental systems.
Byzantine Greece
The growth of Christianity throughout the Greco-Roman world in the 4th, 5th and 6th centuries, together with the Hellenization of the Byzantine Empire of the period, would lead to the formation of a unique literary form, combining Christian, Greek, Roman and Oriental (such as the Persian Empire) influences. In its turn, this would promote developments such as Cretan poetry, the growth of poetic satire in the Greek East, and the several pre-eminent historians of the period.
Modern Greece
Modern Greek Literature was born out of the Greek Revolution of 1821 and the subsequent independence of Greece in 1831, and as such, Greek literature of the period is heavily influenced by revolutionary themes, although the impact of the Greek literature of the Enlightenment could also be highlighted, as well as the influence of the Byzantine Empire's Acritic songs and romance.
Moving into the twentieth century, the modern Greek literary tradition spans the work of Constantine P. Cavafy, considered a key figure of twentieth century poetry, Giorgos Seferis (whose works and poems aimed to fuse the literature of Ancient and Modern Greece) and Odysseas Elytis, both of whom won the Nobel Prize for Literature. Nikos Kazantzakis is also considered a dominant figure, with works such as The Last Temptation of Christ and The Greek Passion receiving international recognition. Vassilis Vassilikos (Z) is widely translated.
Music
Greece has a diverse and highly influential musical tradition, with ancient music influencing the Roman Empire, and Byzantine liturgical chants and secular music influencing the Renaissance. Modern Greek music combines these elements, as well as influences from the Middle East, to carry Greeks' interpretation of a wide range of musical forms.
Classical Greece
The history of music in Greece begins once more, as one might expect, with the music of ancient Greece, largely structured on the Lyre and other supporting string instruments of the era. Beyond the well-known structural legacies of the Pythagorean scale, and the related mathematical developments it upheld to define western classical music, relatively little is understood about the precise character of music during this period; we do know, however, that it left, as so often, a strong mark on the culture of Rome. What has been gleaned about the social role and character of ancient Greek music comes largely from pottery and other forms of Greek art.
Byzantine Greece
The music of Greek Byzantium is also of major significance to the history and development of European music, as liturgical chants became the foundation and stepping stone for music of the Renaissance. It is also certain that Byzantine music included an extensive tradition of instrumental court music and dance; any other picture would be both incongruous with the historically and archaeologically documented opulence of the Eastern Roman Empire. There survive a few but explicit accounts of secular music. A characteristic example are the accounts of pneumatic organs, whose construction was furthest advanced in the eastern empire prior to their development in the west following the Renaissance.
Modern Greece
A range of domestically and internationally known composers and performers across the musical spectrum have found success in modern Greece, while traditional Greek music is noted as a mixture of influences from indigenous culture with those of west and east. Turkish and Ottoman elements can be most clearly heard in the traditional songs, dhimotiká, as well as the modern bluesy rembétika music. The best-known Greek musical instrument is the bouzouki. "Bouzouki" is a descriptive Turkish name, but the instrument itself is in fact of Greek rather than Turkish origin. It derives from the ancient Greek lute known as the pandoura, a kind of guitar, clearly visible in ancient statues, especially female figurines of the "Tanagraies" playing cord instruments.
Famous present-day Greek musicians include the central figure of 20th century European modernism Iannis Xenakis, a composer, architect and theorist. Maria Callas, Mikis Theodorakis, Dimitris Mitropoulos, Manos Hadjidakis, and Vangelis also lead twentieth-century Greek contributions, alongside Nikos Skalkottas, Demis Roussos, Nana Mouskouri, George Dalaras and Anna Vissi.
Philosophy, Science and Mathematics
The Greek world is widely regarded as having given birth to scientific thought by means of observation, thought, and development of a theory without the intervention of a supernatural force. Thales, Anaximander and Democritus were amongst those contributing significantly to the establishment of this tradition. It is also, and perhaps more commonly in the western imagination, identified with the dawn of Western Philosophy, as well as a mapping out of the Natural Sciences. Greek developments of mathematics continued well up until the decline of the Byzantine Empire. In the modern era Greeks continue to contribute to the fields of Science, Mathematics and Philosophy.
Classical Greece
The tradition of philosophy in Ancient Greece accompanied its literary development. Greek learning had a profound influence on Western and Middle Eastern civilisation. The works of Socrates, Plato, Aristotle and other Greek philosophers profoundly influenced Classical thought, the Islamic Golden Age, and the Renaissance.
In medicine, doctors still refer to the Hippocratic oath, instituted by Hippocrates, regarded as foremost in laying the foundations of medicine as a science. Galen built on Hippocrates' theory of the four humours, and his writings became the foundation of medicine in Europe and the Middle East for centuries. The physicians Herophilos and Paulus Aegineta were pioneers in the study of anatomy, while Pedanius Dioscorides wrote an extensive treatise on the practice of pharmacology.
The period of Classical Greece (from 800BC until the rise of Macedon, a Greek state in the north) is that most often associated with Greek advances in science. Thales of Miletus is regarded by many as the father of science; he was the first of the ancient philosophers to seek to explain the physical world in terms of natural rather than supernatural causes. Pythagoras was a mathematician often described as the "father of numbers"; it is believed that he had the pioneering insight into the numerical ratios that determine the musical scale, and the Pythagorean theorem is commonly attributed to him. Diophantus of Alexandria, in turn, was the "father of algebra". Many parts of modern geometry are based on the work of Euclid, while Eratosthenes was one of the first scientific geographers, calculating the circumference of the earth and conceiving the first maps based on scientific principles.
The Hellenistic period, following Alexander's conquests, continued and built upon this knowledge. Hipparchus is considered the pre-eminent astronomical observer of the ancient world, and was probably the first to develop an accurate method for the prediction of solar eclipse, while Aristarchus of Samos was the first known astronomer to propose a heliocentric model of the solar system, though the geocentric model of Ptolemy was more commonly accepted until the seventeenth century. Ptolemy also contributed substantially to cartography and to the science of optics. For his part Archimedes was the first to calculate the value of p and a geometric series, and also the earliest known mathematical physicist discovering the law of buoyancy, as well as conceiving the irrigation device known as Archimedes' screw.
Byzantine Greece
The Byzantine period remained largely a period of preservation in terms of classical Greco-Roman texts; there were, however, significant advances made in the fields of medicine and historical scholarship. Theological philosophy also remained an area of study, and there was, while not matching the achievements of preceding ages, a certain increase in the professionalism of study of these subjects, epitomized by the founding of the University of Constantinople.
Isidore of Miletus and Anthemius of Tralles, the architects of the famous Hagia Sophia in Constantinople, also contributed towards mathematical theories concerning architectural form, and the perceived mathematical harmony needed to create a multi-domed structure. These ideas were to prove a heavy influence on the Ottoman architect Sinan in his creation of the Blue Mosque, also in Constantinople. Tralles in particular produced several treatises on the Natural Sciences, as well as his other forays into mathematics such as Conic Sections.
The gradual migration of Greeks from Byzantium to the Italian city states following the decline of the Byzantine Empire, and the texts they brought with them combined with the academic positions they held, was a major factor in lighting the first sparks of the Italian Renaissance.
Modern Greece
Greeks continue to contribute to science and technology in the modern world. John Argyris, a Greek mathematician and engineer, is responsible for the invention of finite element analysis and the direct stiffness method, relative to physics. Mathematician Constantin Carathéodory worked in the fields of real analysis, the calculus of variations, and measure theory in the early 20th century, and went on to assist Albert Einstein in the mathematical part of his theory of relativity. Biologist Fotis Kafatos pioneers in the field of molecular cloning and genomics; Dimitris Nanopoulos is a noted theoretical physicist, having made significant contributions to the fields of particle physics and cosmology. In medicine, Georgios Papanikolaou contributed heavily to the development of cancer screening with his Pap smear. The Greek car designer Alec Issigonis created the iconic Mini automobile, while the computer scientist Michael Dertouzos was amongst the pioneers of the internet. Nicolas Negroponte chairman of the Massachusetts Institute of Technology Media Lab is one of the founders of the program One Laptop Per Child, a non-profit organisation aiming to extend Internet access in developing countries.
Sports
The Greek national football team is the reigning UEFA European Champions, beating Portugal to win EURO 2004. The Greek Super League is the highest professional football league in the country. Currently sixteen clubs compete in that league, playing each other twice, once at home and once away. At the end of each season, the bottom three clubs are relegated to the Second National League only to be replaced by the top three teams from that particular league. The top three most known football clubs are Olympiacos, Panathinaikos and AEK Athens.
. Greece is generally considered an important power in international basketball and the national team is regarded as one of the best in the world. They have won the European Championship twice, once in 1987 and again in 2005, and have reached the final four in three of the last four FIBA World Championships (1994, 1998, 2006) taking second place in 2006. They currently are ranked 5th in the world. The domestic Greek basketball league, A1 Ethniki is composed of fourteen teams. The most successful Greek teams are Panathinaikos, Aris Salonica, Olympiacos, AEK Athens and PAOK.
